Eine Kleine Nachtmusik shows what appears to be a hotel corridor with numbered doors, the farthest of which is open just enough to offer a glimpse of incandescent light. A giant sunflower and pieces of its torn stem lie on the landing. Two fallen petals lie further down the stairs and a third is held by a doll propped against one of the doorways. The doll is remarkably life-like and wears similar clothing to the girl standing nearby. Her status as a toy is only revealed by her hairline and the regularly moulded contours of her torso. The tattered state of the clothes worn by both the doll and the girl suggests that there has been some sort of struggle or encounter with powerful forces, and the girl’s long hair streams upwards as if blasted by an immensely powerful gust of wind. Tanning has said: ‘It’s about confrontation. Everyone believes he/she is his/her drama. While they don’t always have giant sunflowers (most aggressive of flowers) to contend with, there are always stairways, hallways, even very private theatres where the suffocations and the finalities are being played out, the blood red carpet or cruel yellows, the attacker.
14 Bless those who persecute you; bless and do not curse them. 15 Rejoice with those who rejoice, weep with those who weep. 16 Live in harmony with one another; do not be haughty, but associate with the lowly; do not claim to be wiser than you are. 17 Do not repay anyone evil for evil, but take thought for what is noble in the sight of all. 18 If it is possible, so far as it depends on you, live peaceably with all. 19 Beloved, never avenge yourselves, but leave room for the wrath of God; for it is written, “Vengeance is mine, I will repay, says the Lord.” 20 No, “if your enemies are hungry, feed them; if they are thirsty, give them something to drink; for by doing this you will heap burning coals on their heads.” 21 Do not be overcome by evil, but overcome evil with good.